Athens – The City Other Places Want to Be

The writer Charles Caleb Colton once said that imitation is the sincerest form of flattery and this saying has now found its way in to common usage. Its message is clear and almost undeniable – and something that must make Athens feel a proud city.

The capital of Greece – and the country’s largest city to boot – is one of the world’s oldest cities with recorded history going back around 3400 years. In that time it has been a center for arts, philosophy and architecture and has been admired and copied from afar.

Such is the reputation of Athens that other cities around the world often try to use it to boost their own standing. In total, there are 28 cities or towns outside Greece that have incorporated Athens into their nickname.

There is an “Athens” for each of the four major compass points (including a bonus historical Athens of the West) as well as an “Athens” for many different countries, eras, American states and hemispheres.

Each has their own reason for the nickname – although some, such as the Scottish town of Troon being known as the ‘Athens of Ayrshire’ – are a little less clear.

Jyvaskyla – the ‘Athens of Finland’ – is so named because it is a city of learning, as Athens was once with the teachings of philosophers Plato, Aristotle, Socrates and many others; still popular material in curriculum today. The Massachusetts capital, Boston, is known as the ‘Athens of America’ and Colombia’s capital, Bogota, is the ‘Athens of South America’ for similar reasons. Edinburgh – the Scottish capital and the ‘Athens of the North’ – was a major center during the Enlightenment in the 18th century – while another American city (Nashville, Tennessee) is known as the ‘Athens of the South’ because of an abundance of colleges and universities in the area.

The Russian city of Tomsk had a high emphasis on education and by the outbreak of World War II every 12th citizen was a student – causing it to be dubbed the Siberian Athens.

The Italian city of Florence holds the title of the ‘Athens of the Middle Ages’ as it is considered to be the birthplace of the Italian Renaissance – a period of great cultural change and achievement in Europe from the end of the 1200s to the start of the 17th century.

Other Athenian cities with cultural significance include the Indian city of Madurai (the Athens of the East), Sarospatak in Hungary (the Athens of the Bodrog – a river that runs through Hungary and Slovakia) and Lexington, Kentucky (Athens of the West).

With all this attention and willingness to be associated with the Greek capital, it’s clear to see the reason why so many flights to Athens are jam-packed with tourists wishing to see the sights that have inspired so many places around the world.

The information contained within this article is the opinion of the author and is intended purely for information and interest purposes only. It should not be used to make any decisions or take any actions. Any links are included for information purposes only.

Central Hotel Athens – Cheap Deals and Discounts

A central hotel in Athens is an individual property, designed for the perceptive traveler. Being a landmark in Greek hospitality, St. George Lycabettus Hotel is located at the heart of Kolonaki. Kolonaki being the most upscale neighborhood in central Athens is just minutes away from the Acropolis and the cosmopolitan city-center.

The hotel is owned by the same family since their opening. They have remained focus in providing modern and fresh hospitality to both business and leisure travelers.

Breathtaking views of the Acropolis, from the rooftop restaurant to the south-facing balconies will surely be experienced on this central Athens hotel. The Modern Greek, Byzantine and Victorian art displays, highlights your interest throughout the hotel. The inspiring views of the Acropolis and picturesque church of St. George, from where its name came from, are visible throughout the hotel.

Providing you with unforgettable experiences while in Athens are the main goal of the hotel’s guest relations department. They are at your service daily. Restaurant recommendations, fun recreational ideas, opera tickets, limousine transfer arrangements are just a few samples of the many services they can offer. For more information, please contact Tel: (+30) 210 7290711-19 or fax: (+30) 210 7290439

The Athenian Callirhoe Hotel

In the heart of Athens City, along Kallirrois Avenue, lies Athenian Callirhoe Hotel. This central hotel in Athens is where you can find the finest accommodation that goes hand in hand with a delightful culinary experience.

Discovering a distinctive building with well-designed urban interiors, you are about to experience the very best in luxury and service. The hotel’s location is just a short walk from all of Athens City’s cultural attractions. Since it is minutes away from the commercial center and Acropolis Museum, this makes it perfect for business and leisure travelers. It is only a 35-minute drive to and from the Athens International Airport. It is also a mere 9km away from the Port of Piraeus. This makes this hotel very convenient to guests.

This central hotel in Athens provides “upon request” services like baby-sitting, limousine services, massage aromatherapy, Air & Sea Transportation private services and many more.

For reservations, feel free to reach them at Tel. +30 – 210-9215353, Fax: +30 – 210-9215342.

Hotel Marina

Marina Hotel is within walking distances from the main attractions in the City of Athens. Being at the heart of the city, it is just 20km away from the airport, 7km from the port of Pireaus and 150m from the Omonia subway station.

This central hotel in Athens has 81 rooms that are all equipped with air-conditioning, direct dial phone lines, satellite televisions and a mini bar. In respect to the art and tradition of Ancient Athens, the Marina was recently renovated.

Near this central hotel in Athens, you can visit the most fascinating attraction in all of Athens itself – the Parthenon. It is the temple of the Greek goddess Athena. Another site to visit is the Pnyx Hill in Central Athens. It is situated less than a kilometer from the west side of the Acropolis.

For a chance to get a glimpse of the finest attractions in the capital and largest city of Greece; make your reservations by calling their office at Tel: +30 210 5237832-3 +30 210 5225641. You can also fax them at +30 210 5229109.

Athens Syntagma Square – Athens City Center

The heart of present day Athens is fashionable Plateia Syntagmatos which lies below the imposing mass of the Old Royal Palace. Plateia Syntagmatos, which translated means Constitution Square, commemorates the constitution granted by Othon I in a proclamation from the balcony of the Palace on the night of 3rd September 1843.

The OLD ROYAL PALACE, which since 1935 has housed the Parliament, was designed as the residence of King Othon, at his own and his father’s expense, by the Bavarian architect Friedrich Garther and built between 1834 and 1842.

At the foot of the west facade of the Old Palace is a large square bounded on three sides by walls on which, in evocation of the ancient custom of hanging the victor’s shield in the temple, are set bronze shields flanked by the names of the many victories won by Hellenic arms since National Independence. Built into the center of the retaining wall is the TOMB OF THE UNKNOWN SOLDIER, a relief impressive in its simplicity, which depicts a dying hoplite. This work is by the sculptors Constantinos Demetriades (1881-1943) and Phokion Rok (1886-1942), and was unveiled on 25th March (National Independence Day) 1932.

South of Plateia Syntagmatos lies Leophoros Amalias, which is so called after King Othon’s consort, who, with the horticulturist Friedrich Schmiedt, created the delectable retreat adjoining the Old Royal Palace that we know today as the NATIONAL GARDEN. The National Garden is open daily from sunrise to sunset and the shade of its multitudinous trees provides a cool and peaceful oasis in the heart of the city.

On the east side of the Garden are the busts of Capodistrias and Jean-Gabriel Eynard, a great Swiss philhellene who donated large sums of money to the cause of Greek Independence. Both these busts are the work of the famous Pelopennesian loannis Kossos. Other busts in the National Garden are those of three leading Greek poets of the 19th century: Dionysius Solomos of Zante, who is considered the national poet; Aristotle Valaoritis, also a native of the Ionian Islands, and Jean Moreas, which was the nom-de-plume of loannis Papadiamantopoulos, an Athenian who lived the greater part of his life in Paris.

Contiguous to the National Garden is a large public park called ZAPPEION after the brothers Evangelos and Constantinos Zappas of Epirus, who donated it with its splendid exhibition hall to the Nation. On either side of the entrance to the exhibition hall stand statues of the donors, that of Evangelos by loannis Kossos; that of Constantinos by Georgios Vroutos. Among the many pieces of statuary by famous sculptors is the bust of loannis Varvakis by the master Leonidas Drossis. Varvakis is best known as the founder of the renowned boys’ school, the Lykeion Varvakeion, for the endowment of which he bequeathed his huge fortune. Other busts include those of Constantinos Paparrighopoulos, the greatest historian of Modern Greece, of Stephan Dragoumis, the most prominent political personality during the Macedonian struggle (1903-1909), and of George Souris, the leading satirical poet of his times.

A short distance from Plateia Syntagmatos, on the right of Odhos Panepistimiou, we come to a Renaissance edifice of Italian inspiration. This is the NUMISMATIC MUSEUM, which contains a rich collection of Greek, Roman and Byzantine coins, cameos and seal-stones. Built by the noted architect Erst Ziller in 1878, it was the private residence of the illustrious archaeologist Henry Schliemann.

Still keeping on the right-hand side we come to a five-storeyed building situated at the corner of this street and Odhos Omirou. Here are the premises of the ARCHAEOLOGICAL SOCIETY, built entirely in marble. The classical motif of the magnificent bronze door with its richly painted and gilded surround and the ceiling coffered in a delicate blue and gold deserve the greatest admiration. Besides creating the first National Archaeological Museum the Society, which was founded in 1837, has excavated sites all over the country.

Immediately after the Archaeological Society’s premises stands the ROMAN CATHOLIC CATHEDRAL. As the Latin inscription shows, the cathedral was begun in 1853, completed in 1887, and dedicated to St. Dionysius Areopagite. It is a three-naved basilica designed by Leo von Klenze (1784-1864), Bavarian Court architect and master-plan ner of modern Athens, and built under the direction of Lysander Kaftanzoglou (1811-1885), the outstanding Greek architect of the period.

Adjoining this edifice is the OPHTHALMIC HOSPITAL, a Byzantine-style construction designed by Theophil Hansen (1813-1891, the younger of two Danish brothers, both distinguished architects), in 1847, and completed by Lysander Kaftanzoglou four years later.

Just beyond the Ophthalmic Hospital is an ensemble of neo-Classical buildings: on the right the Academy, in the middle the University, and on the left the National Library. All three were gifts to the Nation from wealthy patriots; they are the most sumptuous monuments of Modern Greece.

The HELLENIC ACADEMY OF ARTS AND SCIENCES, a meticulously accurate reproduction of an edifice of the Classical period erected in the graceful Ionic order by Theophil Hansen at the expense of Baron Georgios Sinas, was begun in 1859 and completed in 1875.

The nine sculptured pediments and all the statues before the Academy are the work of the Athenian master Leonidas Drossis. The relief in the central pediment, which portrays The Birth of Athena, and the two gigantic statues of Apollo (right) and Athena (left) standing on tall columns, one on either side of the principal facade, are particularly impressive. The seated figures flanking the short flight of steps leading to the portico represent the philosophers Socrates (right) and Plato (left).

The portico consists of a double row of columns. The coffered ceiling is painted in bright blue and gold and the door opening into the vestibule has a surround of classical inspiration executed in brilliant color and gilding. A statue of the donor Baron Sinas stands on the right of the vestibule, while the interior of the Academy Hall is decorated with eight superb panels by the Oldenburg painter Christian Griepenkerl (1839-1916), depicting scenes from the Myth of Prometheus.

Visitors to the University will be surprised to see a statue of William Ewart Gladstone, standing on the right of the lawn surrounding the forecourt. The dedication on the plinth of this statue immortalizes the prominent part played by the great British statesman in the deliverance of Epirus and Thessaly from Turkish oppression, and their return to the Motherland in 1881.

The statues at the top of the steps leading to the entrance commemorate the great philologist Korais (1748-1833), ardent patriot and “father” of the Modern Greek literary language (right), and Capodistrias (1776-1831), first Head of State (1827-1831) and one of the major architects of modern Greece.

The UNIVERSITY OF ATHENS was founded in 1836, and was initially established in a large house which Schaubert and Cleanthes had built in Plaka (the old quarter of Athens) when they first came to Athens in 1831. This building, at the corner of Odhos Prytaneiou and Odhos Tholou, is still standing and is converted into a museum devoted to the earlier history of the University. The present University buildings were designed by Christian Hansen and the foundation stone laid by King Othon in 1839. The central building was ready for use in 1842, but owing to lack of funds, the buildings as a whole were not completed until 1850.

A colonnade with a handsome portico in Pentelic marble fronted by two Ionic columns with gilded capitals, and a coffered ceiling in blue and gold in harmony with the classical motif of a painted and gilded door surround, gives access to the interior of the main building.

On the upper part of the wall a fresco by the celebrated Austrian painter Karl Rahl (1812-1865) shows the resurgence of arts and sciences under King Othon. Statues of two national heroes, Patriarch Grigorios and the martyred poet Rhigas Pheraios, stand respectively at the right and left angles of the facade.

The NATIONAL LIBRARY, which is built of Pentelic marble on a foundation of poros, consists of a central building in the form of a Doric temple, with two wings. It was planned by Theophil Hansen in 1887 and the work executed under the supervision of Ernst Ziller, at the expense of the Valianos brothers of Cephalonia in 1901. A statue of one of these munificent benefactors, Panayis, stands outside the central building, and those of his two brothers Andreas and Maris inside the entrance hall. All three statues are the work of Georgios Bonanos.

The eminent philologist Andreas Moustoxidis on the island of Aegina formed the nucleus of the Library in 1827. The books were brought to Athens in 1833 and stored in the beautiful church of St. Eleutherius (the “Little Cathedral”). In 1842 they were removed to the first floor of the central building of the University – which had just been completed – where they remained until the National Library was inaugurated in 1903.

In recent years many fine nineteenth century buildings have been demolished and unimaginative concrete structures built on the sites, so that with the exception of the Ionian Bank of Greece on one corner of Odhos Pezmazoglou and the former buildings of the Arsakeion College for Girls (founded in 1836) on the other corner over the Doric portico, built at the expense of Apostolos Arsakis of Epirus in 1848, nothing remains of the splendid buildings that once lined both sides of this street of central Athens.

Continuing along Odhos Panepistimiou for a short distance, we turn right into Odhos Patission. A few hundred meters further down, on our right, stands a construction in the finest Pentelic marble, in which two educational institutions of University status are established: The POLYTECHNIC SCHOOL (Civil, Mechanical, Electrical, Naval, Chemical and Mining Engineering, Architecture, and Topography) and the SUPERIOR SCHOOL OF FINE ARTS (Drawing, Painting, Sculpture, Engraving, etc.). Two wings in the Doric order serve as propylaea to the central building of two storeys, the lower erected in the Doric order, the upper in Ionic. This edifice is the work of Lysander Kaftanzoglou, who built it between 1862 and 1880, and owes its name -METSOVION POLYTECHNEION- to the fact that the principal donors Nicholaos Stournaras, Michalis Tositsas and his widow Helen, were natives of Metsovo in Epirus.

NJV Athens Plaza Hotel, Grande Bretagne and King George II Hotel are among the best luxury hotels in Athens.

Take a Stroll at Athens Greece

A city that was built by gods for gods with a long glorious history, and a city that has been worshipped by its people is nothing less than Athens, Greece. Athens is said to be the birthplace of democracy and civilization. The place where many great philosophers were born and where the culture began. In such a city you can wonder in its alleys and feel the ancient spirit. Did you know that Acropolis is considered to be one of the 7 wonders of the modern world? The better way to discover all secret paths of Athens is to take some Athens private tours and live this lifetime experience.

Whatever your taste is, Athens, Greece has something special that will draw you back time and time again. When in Athens you have to do lots of activities such as visiting the archaeological monuments, the famous sites, and taking a stroll to Plaka, Monastiraki, Thisseion and Psyrri. Have the opportunity to admire the neoclassical buildings in the small alleys the well-preserved architecture in many beautiful buildings.Athens city truly has something for everyone.

Take a private walking tour around ancient sites of Acropolis museum, Plaka, Monastiraki and Philopappos hill. In Athens city, you will admire The Greek Parliament, the Athens Academy and University and so many interesting sites. Do not miss also visiting the museums which hosts unique treasures of greek cultural inheritance such as the Museum of Acropolis, the Archaeological Museum etc. The exhibits in greek museums are always interesting and have something to add to your knowledge. This information from the past may be sound strange but is the truth and the history of Greeks can’t be learn by once.

The sun in Athens city is shining all year around so you don’t have to worry about the climate, which is considered one of the best in Europe. So, embark on a journey full of positive energy and joy for the upcoming sun and the very interesting thing you will see and visit. Ask locals for some traditional taverns with local folklore dancers and local wine.

Last but not least is Athens nightlife. Your choices here are innumerable as long as you want to entertain yourselves by numerous ways in this vibrant city. Bars, clubs, traditional taverns and the famous “bouzoukia” are always there to entertain you.

All in all, Athens is a divine city with lots of choices and places to have fun making your trip memorable.

Basics About Wrongful Death Cases

When death occurs as a result of someone else’s negligence, it may be considered a wrongful death case. Wrongful death cases can also occur due to a direct action or a breach of contract. In any of these three cases, the victim’s immediate family has the ability to file a wrongful death case and receive compensation for the death of their loved on. This compensation can help them cover funeral costs or help cover the loss of income if the person who died was the main person bringing in income for the home. Some of the ways a wrongful death can occur include:

  • Car Accidents – This is one of the most common types of wrongful death and usually falls under negligence. In these cases, the at fault driver had the duty to ensure they were driving safely. If they were under the influence of drugs or alcohol, distracted, or not following driving laws, they may be considered negligent and therefor responsible for the person’s death.
  • Murder – Murder is an example of a direct cause of a person’s death, even if the murder wasn’t intended. Murder is a criminal charge, but a civil trial for wrongful death can also be brought so the family can receive compensation to help cover any costs associated with the death.
  • Defective Products – A defective product is considered a breach of contract, as the manufacturer has a responsibility to ensure their products are safe and have all necessary warning labels before they are allowed to be sold. These cases may be against the manufacturer or the company that sells the product.

In order for a case to be a wrongful death case, the person has to have died as a result of the injuries they sustained due to negligence, direct action, or breach of contract. The above are examples of each of those, but wrongful death is not limited to only these types of accidents. If your loved one has died and you’re wondering if you may have a wrongful death case, you’re going to want to speak to a lawyer to find out. If you would like more information on personal injury and wrongful death cases, Click this and it will take you there.

Benefits of Renting a Home: 2 bedroom house for rent

While purchasing a home is the ultimate dream of many, there are many benefits to renting that one should consider when making a final decision. With a rising demand for rental homes, the quality of the accommodation for rental is better than ever. If you are not sure on where to start, here are some accrued benefits of renting a home for your consideration.

As one of the biggest financial investments of your lifetime, purchasing a home will require hefty amounts of capital. Other than the initial capital, one will have to fork out the property taxes, stamp duties, insurance and other miscellaneous maintenance costs. On the other hand, renting a home will require a lower amount of capital. This is ideal for budget conscious property seekers that do not have a large amount of capital set aside for the property purchase. A definite benefit that tenants have is that there are no repair or maintenance costs to fret about. Unless the damage is caused by the tenant, the landlord is responsible for most of the maintenance costs.

Flexibility is another important factor that entices people to rent property. It is an attractive option if you are looking to shift out of the area or upgrade your home within short period of time. For example, if you have settled for a 2 bedroom house for rent, you can switch to a bigger home when there is a new baby addition to the home. This cannot be achieved when you own the home. It takes a longer time and more hassle to go through the entire sale process. There is minimum risk involved when you rent a property. Property owners are susceptible to property cycles and swings. There is a potential risk that the value of the home will fall in times of a bad market.

Assess your needs and weigh your options before taking the final plunge to rent a home. Do not rush into making a decision and evaluate all factors including your financial standing, the responsibility and all other expenses that are associated with renting the place. Think of your short term as well as long term needs when you select your home for rental.

Should You Buy a Home at Public Auction?

Quite a few potential real estate buyers are now now turning to auctions with the aspiration of buying a residence at less than the fair market value. Auction sales, however, are not always the great deal they appear. In fact, quite a few houses need considerable renovations if they are purchased through an public sale, thus the bidder must be cautious of an amazing deal. Ahead of investing in a residence in this manner, the prospective home buyer ought to check out a variety of auction sales to see the way they are managed. In addition, any real estate that’s getting taken into account has to be checked out many times and a survey needs to be performed before the public sale. Doing this guarantees the buyer is aware of precisely what is wrong regarding the home and just what will be required to make it livable. In addition to that, potential buyers should have a legal professional examine the public sale package. He or she can detect any future legal issues that may significantly boost the expense of the property. Properties offered at auction may be utilized by occupants. Potential buyers need to ensure this is not the scenario before they offer a bid plus they should make certain all of the keys are actually returned, as some homes are sold along with a tenant in situ. Potential buyers need to be conscious of this. As soon as the bid has been approved, an individual can’t escape from the contract without being forced to shell out a great deal. Therefore, auction sales may not be for the inexperienced, unless assistance is secured. In addition, the purchaser will need to have financing in position ahead of placing a bid. This is what’s called a mortgage promise, however the loan provider does not have to follow through with this assurance if and when they think the real estate property just isn’t actually worth the asking price. Customers need to be conscious of this also and show up with their 10 % deposit, the standard deposit required at public auctions. Lastly, find out exactly when the purchase must be complete. If it doesn’t go through, the bidder is left responsible and that is usually costly. If you wish to have extra resources, browse around these guys. When you go to my site, you’ll find additional information as well. A particular client inspected both sources and he said they were remarkable. You’re sure to claim the same as well.

Athens City Breaks Guide

For more than 3500 years Athens has been attracting visitors. Rich in history and home to one of the most famous buildings of the world – the Parthenon, which represents the golden age of Athens urban planning, it is impossible to compete with the impressive architecture of the city. Apart from being just a tourist spot, Athens is also home to more than half the population of Greece. Athens city breaks will surely help you know about this extremely beautiful city.

You are sure to fall in love with the jumbled and elegant skyline of neoclassical facades, whitewashed sugar-cube houses, the Plaka quarter – a colorful mixture of flea markets and antique shops, markets that have stalls piled with huge tubs of olive, fresh fish and well stocked tables laid out of the pavement tavernas.

The acropolis is one of the places visited most by tourists. It provides the best of classical architecture that you can find anywhere else in the world. You find the slender ionic columns of the Temple of Athena and the six female caryatids of the Erechtheion included in the satellite buildings. Theater had a great role in ancient Greece. The Roman theater of Herodes Atticus still stages summer shows for theater enthusiasts. After having a cultural feast at the Acropolis, you can visit the Benaki Museum where you can kindle your curiosities, and the National Archaeological Museum will keep you occupied for days. If you are looking to take a break from the hustle of the Athenian life, a peaceful walk along the 40 acres of the National Gardens is the best.

It is believed that modern Athens was born in 1834 and restored as the capital of the newly independent Greece. After the second world war, a massive expansion took place that was funded by American money. The Mediterranean climate was responsible for the high temperatures in the city. Pollution and excess traffic were some of the problems that Athens began to face. Visitors and philosophers felt that the architectural excellence were overshadowed by the urbanization. However, more than 3 million people visit this city each year and have a quick look at their favorite places.

Apart from the celebrated classical sites, the city also boasts of Byzanthine, the medieval and ninth century monuments and some of the famous museums in the world. You will also appreciate some of the areas that are immersed in surprisingly natural beauty. Though there is heavy traffic, the village like qualities are very evident in their cafes, markets, tavernas, and in the maze streets surrounding Plaka. Athens is also known for its fine restaurants and colorful and varied night life. The port at Piraeus and the metropolitan area are economic powerhouse and industrial areas of Greece. The Olympics in 2004 brought in many new developments that included an airport, new sports venues, extension of the metro system, up-gradation of hotels and renovation of many top museums.

The Best Time To Employ A Legal Professional After A Car Wreck

Whenever a person is present in an automobile accident due to another driver, they may be entitled to payment for their own injuries. This means the vehicle driver who was liable might need to take care of all the costs coming from the car accident. In many instances, that is taken care of by the person’s insurance provider. Nonetheless, the victim of the car accident might find it isn’t always easy for them to actually get the correct amount of compensation.

Someone that has been injured in a vehicle accident may employ a lawyer or attorney to work with them. They will desire to work with a personal injury legal professional who generally deals with car wreck claims. The lawyer or attorney will examine all the evidence for the car accident to establish whether the person is entitled to payment and, if so, precisely how much they’re entitled to. This can change based on how critical a person’s injuries are. If the individual is entitled to a settlement, the next phase is for the legal professional to compare the quantity to the settlement made available by the insurance company. If the insurance carrier’s settlement offer isn’t adequate, the legal professional can start negotiations for a higher quantity.

Those who have been the victim of a car accident might meet with a personal injury attorney to be able to learn precisely what their particular alternatives are. In this way, they’re able to be sure they acquire a settlement deal that can handle their own bills.

The East Side Of Athens Ancient Agora

During the rule of Solon the Lawgiver, when the Athens Agora was taking shape, its eastern side was entirely free of buildings. The Dromos cut across the area diagonally, serving as a boundary. But since the city was growing, the need for public buildings was also increasing, especially after the Persian wars. Then it was that a great rectangular colonnade was built around structures that very likely belonged to one of the Athens courthouses, as indicated by a ballot box with judges’ votes found there. During the Hellenistic period, Attalos of Pergamum donated to the city of Pallas Athena a magnificent, two-storey stoa, squaring off the Agora site and extending the business centre of the city east of the main road. These buildings were destroyed when the city was sacked by Sulla; but immediately afterwards, the Romans began a rapid reconstruction, an unerring measure taken by conquerors throughout history. On this side of the Agora, a library was built and then another stoa, beside that of Attalos. These and other structures were seen by Pausanias and Strabo when they came to Athens in the 2nd century AD.

Of the first long narrow stoa on the southeastern corner of the site, just a few vestiges remained because of the many changes the building underwent during the years after it was first built. Initially, the Stoa was on two levels along the Panathenaic Way, in order to compensate for the natural slope of the ground. It had eleven spaces for shops and a row of columns with Ionic capitals. It must have been a very busy spot, as shown by the figures of Herms, animals, and sundials carved on the first of the columns. The layabouts of antiquity also carved youthful profiles, some with lovely classical features and others created with the intent to ridicule.

The colonnade must have extended in front of the library beside it, of which nothing remains, because it was totally destroyed during the Herulian raid, but also because the wall put up afterward was built on top of the structures on this side of the Agora. Evidence of the inhabitants’ anxiety after the sack of the city are the pieces of columns lying like wounded giants, in the hurriedly built wall.

This was the 3rd century AD, when the Roman Empire was confronting the threat of fierce Germanic tribes such as the Goths, Vandals and others, who had set out in the north, followed the river roads of eastern Europe and joined together with the nomadic tribes of the Caucasus. From there they spilled over into the Roman possessions around the Black Sea and Asia Minor. The Goths, together with their cousins, the Herulians, built a powerful fleet and sailed down into the Aegean sowing devastation. They captured Lemnos and Skyros, and destroyed Corinth and Argos while other cities were desperately and vainly building fortifications. In the sack of Athens, the Herulians destroyed everything except for the temple of Hephaistos and the sanctuaries on the Acropolis. The entire Agora was covered with a layer of ash from the buildings burned at that time. Many keys have been found which had been thrown into wells at that period, an indication of the despair felt by the frantic inhabitants. But the barbarian occupation did not last long. Encouraged by the fiery speeches of the orator Dexippus, the residents of Athens remembered how their ancestors had dealt with the Persians, and as one man, two thousand Athenians managed to expel the invaders.

Immediately afterward, they built a wall using rubble from the ruined buildings. The perimeter of this wall greatly reduced the area which the Athenians would have to protect in any future attack. The fortifications started under the Propylaea, from the position of the present Beule gate, descended to the east side of the Panathenaic Way, crossed the southeastern stoa and the library, reached as far as the back wall of the Stoa of Attalos, turned east for some meters and then turned south again, to touch the Acropolis rock. The extent of this fortification shows that the number of residents had already – dropped sharply. The wall was 11-1/2 meters high and 3-1/2 m. wide, it had two faces and the space in between was filled with column drums, inscriptions, pedestals of votive statues and sculptures of all kinds. Traces of one fortress tower and parts of a water mill have been preserved. Three gates have been identified with certainty on the west side, along the Panathenaic Way. But the most impressive part of the remaining wall, with the built-in column drums and the pieces of marble from earlier buildings, is on the site where the library of Pantainos once stood.

This was the intellectual heart of Athens, built around the end of the lst century AD. A long inscription has been found informing us that Titus Flavius Pantainos dedicated the entire structure with all its buildings and library with all its books to Athena Polias and the emperor Trajan. This same inscription enabled scholars to conclude that the building had a courtyard with rooms and roofed areas, as well as some outdoor stow. Another inscription demonstrated the strict operating regulations of the institution, which forbade the borrowing of the books on oath. Strangely enough Pausanias did not mention this library at all, ever partial to the sanctuaries of the gods and to more ancient structures. He treated the huge building next door, the Stoa of Attalos, with the same indifference.

Attalos of Pergamum, who built this magnificent Stoa, came from an adventurous dynasty which, although its roots were of Asia Minor extraction, had become fully Hellenized. Its founder was a certain Philetairos from the Pontus in whom the Macedonian Lycimachos had such confidence as to entrust his treasury to him to be kept in the fortress at Pergamum. The person who gained most from the disputes between Lysimachos and Seleucos over the division of Alexander the Great’s enormous empire was this flexible Philetairos who found himself owner of all the goods entrusted to him. He founded the Attalid state which, between 283 and 129 BC developed into a centre of commerce and letters, largely due to the use of a new writing material derived from animal skins. It was, of course, not so new; from very ancient times, highly significant writings were recorded on a piece of thin leather called a diphthera. The Persians took this word and adapted it to their own language as defter, from which comes a Greek word meaning notebook. When, under the rule of the Ptolemies, Egypt prohibited the export of papyrus, the kingdom of Pergamum perfected the technique of making diphthera, to give it a finer texture, whiter colour and the possibility of writing on both sides. It also acquired a new name, pergamini or parchment.

The kings of Pergamum were great lovers of beauty. They adorned their capital with wonderful monuments, and superb sculptures. The “Dying Gaul” in the Capitol Museum in Rome, but above all the Altar of Pergamum in the Berlin Museum, bear witness to the high artistic standards of the period. The library of Pergamum, which was said to contain some 20,000 volumes, later was given by Mark Antony to the lovely Cleopatra to enrich the library at Alexandria. Finally, Attalos III, the last of his line, bequeathed this wealthy kingdom to the people of Rome by virtue of a controversial will, thus consolidating the Roman presence in Asia.

Two of the most significant scions of the Attalids, who alternated their rule of Pergamum, had studied in Athens. Each one, at the height of his glory, donated magnificent buildings to the city of their youth: the Stoa beside the Theatre of Dionysus, called Eumenes II, and the large Stoa in the Agora, Attalos II. Built in 150 BC at right angles to the slightly earlier Middle Stoa, the Hellenistic Stoa of Attalos became the new commercial centre of Athens for the next four centuries.

To construct the enormous base, or crepidoma, on which the stoa rested, the remains of an older peristyle which may have belonged to one of the 5th century courthouses, had to be covered. The Stoa was built in two tiers; it was about 117 metres long and 20 m. wide. Its facade, which faced west. was adorned by 45 Doric columns, unfluted at the bottom, as was the custom in the Hellenistic years, while in the interior, covered area there were 22 columns supporting a roof, all of which were unfluted with Ionic capitals. The facade of the upper floor also had 45 little Ionic columns which were joined together with decorated marble slabs: parapets to protect the people. There was an inner colonnade on the upper floor, as well, corresponding to the one on the ground floor. On each of the two levels, there were 22 square rooms suitable for use as shops. Initially the stairs leading up to the second level were outside, on the two narrow sides of the Stoa, as we can see traces of them on the northern edge of the ground floor roofed area, where the vestiges of a large marble fountain were also found. The outer, southern stairway was replaced by an interior one when the library of Pantainos was built to create more space between the two buildings. It has been restored and is used today. Later, a road passed over the south side of the Stoa of Attalos leading to the Athens gate at the boundary of the Roman Agora, where the commercial centre of the city continued to be during the centuries that followed. But even when the ancient Agora was no longer regarded as the business centre, it never ceased to be the main meeting place for the residents. Strabo, who came to Athens in the 2nd century AD, called the Roman market “Eretria”, referring to the more ancient one by the same name his contemporary, Pausanias, used: “Kerameikos”.

During the barbarian invasion, the Stoa was burned as seen from marks on the south inner wall. During the subsequent fortification, the solid structure built by Attalos was deemed suitable for a city wall. Then the shop facades were built, rows of columns were torn down and fortification towers were added all along the former stoa, leaving the Agora outside the protected district. One part of the back wall was dug up in the 19th century, and after the regular excavations in 1953, the Stoa of Attalos was fully restored by the American School of Classical Studies. Today it houses a museum on its ground floor, and in the roofed outdoor area there are statues, votive sculptures, inscriptions and stelae which bring to life many details of the past life of the City.

In front of the outer colonnade of the Stoa of Attalos, in the middle of the facade, a large square base was erected for a monument depicting the king of Pergamum in a chariot. Some years after the Stoa was built, a bema (raised platform) was also put up, from which orators and Roman generals could address the citizens of Athens, another indication of how much traffic there was in the area. The large number of bases of honorary monuments on the opposite side of the Panathenaic Way proves the same thing. Right behind these monuments are the ruins of the Odeion, one of the most greatly altered buildings in the Agora, owing to the many reconstructions and additions.

From various sources in antiquity, we know that the open, triangular space in the Agora next to the Dromos, was the venue for rituals and presentations, before the theatre of Dionysus was built. There were ikria here, wooden platforms from which the spectators watched the action unfolding. A brief reference even exists to the fact that one could see by climbing up on the branches of a poplar tree growing nearby. Perhaps this previous usage, together with the existence of a playing area and a large open space, was the reason why Agrippa built the Odeion on this precise spot.

Marcus Vipsanius Agrippa was Augustus’ son-in-law and governor of the Eastern provinces of the Empire. Late in the 1st century BC, he offered the Athenians a magnificent building for performances or even for philosophical discussions, thus winning the coveted title of benefactor of the city together with an honorary monument at the entrance to the Acropolis. The design of the Odeion reflected the Roman taste for the grandiose; it utilised the natural incline of the ground in the best possible way, giving it plenty of space on the ground, with stoae, multiple levels and two entrances. The most impressive of these must have been in the south, right in front of the Middle Stoa.

Persons entering the Odeion from this side passed under two rows of Corinthian columns, then proceeded into the main hall with its very high ceiling projecting up above the building. From this point, one descended to the 1000-seat audience area, and from there to the semi-circular marble-tiled orchestra. Above the orchestra was the stage, behind which was the other, northern entrance with a small exterior gate.

The large dimensions of this hall must have been the reason why the roof collapsed a century after it was built. In the restoration which followed, a good many rows of benches were removed from the upper section, and the hall acquired perceptibly smaller dimensions. Now it had but one entrance, that of the north side, embellished with the statues of Giants and Tritons. After the barbarian raids, the building underwent another radical change of form, to house a gymnasium. Of its old facade, only four of the gigantic statues were kept, while behind it, a large flat area was levelled off to be used as a porticoed courtyard. Even farther back, rooms and more courtyards were built and equipped with bath facilities. The large number of these disparate areas can be explained by the custom of the ancients to have classrooms in their gymnasia. This custom provided the root for the modern Greek word gymnasio meaning secondary school.

Even though the Odeion was completely destroyed, the monumental 2nd century AD entrance remained, of which we can still see the bases and the statues of two proud representatives of the world of myth. One is a Giant with a snakish form and the other is a mature, strongly-built Triton with a fishtail instead of legs.

It has been ascertained that myths were generated at the dawn of human thought. Beginning with the superstitions of the early peoples up to the symbolism of the Platonists that expressed primitive totemism and interpreted metaphysical concerns, myth passed through various stages of evolution. But it always presupposed the distant past, because only then did events take on the dimension of hyperbole. A typical example was provided by the Romans whose own mythology was comparatively poor. In addition, they were practical and victorious army commanders and administrators who had no need of heroic models, nor were they generally renowned as being lovers of speech and poetry. But they adopted the Greek religion and liked to present mythological beings in their art.

Giants and Tritons were the remnants of Greek prehistory. The former were vanquished by the gods in a decisive battle for peace, because as children of the Earth – shown by their snakish tails – they represented natural phenomena such as storms, floods and disasters. One of these was Enceladus, who was buried under the island of Sicily and every time he moved, he created earthquakes. The Tritons were considered to be marine spirits and had a dual substance of both destruction and restitution; rather like a storm followed by calm. Although Triton appears as the son of Poseidon and Amphitrite in Greek mythology, he may very possibly be of foreign origin.

A gold Mycenean ring shows some creatures wearing a strange, scaly garment. There are Babylonian ring stones and Assyrian seal stones in the British Museum, depicting forms that are half human and half fish, while at Pasargadae in Persia, a gate has been found on the jamb of which there is a relief representation of such a dual-form being. Eusebius, a 4th century Christian chronicler, mentioned similar creatures who appeared, he said, during the years of the Babylonians. Eusebius found this information in the texts of Apollodoros, a 2nd century BC historian and philosopher who was interested in the genealogy of the gods before the Flood. Apollodoros’ main source was a “Babylonian History” written in Greek in the 4th century by a priest named Berosos from Bithynia. Having access to the cuneiform texts of the Chaldeans, Berosus learned that in the very ancient times, an amphibian creature named Oannes had arisen from the sea. This strange being civilized humanity with its superior wisdom. Other Oannes also appeared from time to time, always bearers of abundance and knowledge. The Sumerians worshipped this figure as a god named Enki, while the Babylonians called the same divinity Ea, i.e. god of the waters, and believed that his palace was in the city of Eridu on the Persian Gulf. It is strange to consider the fact that in western Africa there is a tribe called the Dongons, who believe that knowledge about the movement of the stars was imparted to them by wise amphibian creatures. Then of course there is the Gorgon or mermaid of more recent Greek folklore. So it would appear that the Triton of the ancients is a timeless being, with distant alien ancestors as well as more recent local descendants.

In Pausanias’ book Boeotica, there is a very interesting reference to Tanagra. The men of the region, he said, managed to catch a Triton by trickery and beheaded it because it was annoying their wives. The traveller described the headless body, which he claimed to have seen displayed in the city, and, in fact, described an amphibian, unpleasantly anthropomorphic being. The Triton of the Odeion was a beautified version of this mythic creature which has so captured the human imagination.

In front of the gigantic statues at the entrance to the Odeion there was a large temple of Ares. Today nothing of this building has been preserved other than its outline – distinguishable from the rest of the site because it is covered with gravel – a few slabs with relief shields, and some scattered parts of columns and capitals. Many of the latter bear the characteristic notches made by Roman masons, even though the rock was cut in the 5th century, showing once more that the temple had been initially built somewhere else, and was brought here bit by bit and rebuilt together with its later altar during Roman rule. The citizens of classical Athens were not particularly interested in erecting a temple to Ares, the violent, strongly built, and not exceptionally intelligent, god of war; especially when their city was protected by Promachos Athena, she of organised defence and cool strategy. But the Romans held Ares (Mars) in high esteem as the divine leader of their legions. The prevailing opinion of scholars as to the initial position of the temple of Ares in the Athens Agora is that it was originally situated in Acharnes, where there is known to have been a sanctuary of the god. A cult of this kind would have been absolutely logical there, given that this Attic Deme was situated at the border which had to be guarded against enemy raids, and the war-loving Ares, pugnacious and always ready for a fight, was the most appropriate protector of the borders. One should also point out the mingling of two extreme states in the erotic relationship between warlike Ares and the tender goddess Aphrodite. The union of these two totally different divinities generated the all-powerful Eros, who could calm even his fierce father, and Harmony who brought the equilibrium into this contradictory world.

Pausanias gives us only one fleeting mention of the temple of Ares, because, when he passed by the site, he was mainly interested in the statues in and around it. Some of these statues have been identified in the truncated sculptures found nearby and now exhibited in the Agora Museum. Others have been lost forever: such as the 6th century statues of the tyrannicides Harmodios and Aristogeiton. These statues were booty which Xerxes took to Persia where they remained until Alexander the Great regained them and sent them back to Athens. The tyrannicides were considered worthy of respect as symbols of Democracy; they were also the first mortals to be honoured by having statues erected to them, a privilege hitherto reserved only for gods and demigods. The statues had been placed on this side of the Agora because this was probably where Hipparchos was killed. His death was decisive in bringing down the tyranny instituted by his father, Peisistratos. Thucydides told us that this bold action took place on the day of the Panathenaia, when the tyrant was supervising the preparations for the procession. We also know that the celebrants’ point of departure was the Altar of the Twelve Gods, the city’s main crossroads.

This significant Altar had been built in about 520 BC on the northern edge of the Agora, the apex of the imaginary triangle which constitutes its area. Within a walled enclosure, it had become established as the place where the underprivileged, the persecuted and even badly treated slaves sought sanctuary. Perhaps this was why Pausanias wrote that he saw an Altar of Mercy: an obvious reference to sanctuary, which led -most archaeologists to conclude that these two names referred to the same altar. Of the structure itself there are no significant traces, because the train line passed right over it. This railroad line is for visitors the northernmost boundary of the Agora, even though there were in antiquity, important buildings on the other side, which have not yet been fully excavated and studied.